One problem I have been finding myself in lately is
that I cannot physically finish my work. it is probably incorrect to say that I
cannot "physically" finish my work, but it would be
incorrect to say that I cannot finish my pieces because I have ran out of
ideas. Ideas come easy to me. It is easy to finish apiece when there is an easy
flow of ideas throughout the piece's work process. when circumstance occur such
that a good ideas is created to spark the beginning of a project and nothing
more, I’m left with pieces such as the one shown above. This piece has caused
much aggravation in that it seemed like a good idea a first, but as time went
on during the process of creating, ideas seemed to stop flowing. Initially the
idea of the piece was derived from my grandfather’s brother who works
hand-to-had with natives of Latin America, working to preserve their cultural
values of ancestral backgrounds. With this I decided to paint an
interpretive and subjective figure of a native from the Americas. The
flowers were to represent the soul and hospitality and the white above the
figures chest was to represent vibrancy. I figured the fastest, easiest, and
best way to interpret my idea would be to use quick-drying acrylic and palate knives.
It all seemed to be such a wonderful idea, but when I finished the figure, I
was left with open/ unfinished space. I am currently conducting research on South
American natives. I am hoping that this will spark some creativity and create
or be the basis of new ideas.
This is a pretty common problem.
ReplyDeleteQuestions to help you find the answer:
1) Are you painting facts, or are you painting opinions?
2) are the thoughts in your head constructions that are made of words, i.e., "white represents vibrancy," or are you thinking in visual terms? Note that I can't write out a visual term, I can only present it visually.
3) Is the painting a test for the audience? For them to get it, must they be able to verbally explain what all the pieces mean?