These two pieces work within the same
realm of ideas and principles. the underlying concepts of the pieces was
slavery and this came about after reading books and news articles on cultural
masks showing tribal identities and inter brotherhood between tribal members of
African tribal members. “These masks would describe peoples ways of life,
ranging from the food they ate, to the wars they fought, to the gods they
believed in “(The). “The masks are dramatic portraits of spirit beings, departed
ancestors, and invisible powers of social control” (Art). As these people
were slowly stolen from their land to be turned into slaves, the land changed
and stayed the same. it stayed the same in that it still believed in its
culture, but changed in that the peoples way of life changed. They were taken
from their homes, oppressively, and virtually forced upon their new lives as
slaves with the discontinuation of their previous life and rich culture. These
principles can be summed up into the second piece. This piece describes the
native oppression and their struggle as an identity. The repeated image
represents the lasting impact it had on our modern world and how slavery
destroyed cultures and lives of millions of Africans. The first piece is a mask
and it was made to correspond with the second painting. This mask (the first
painting) depicts a depressed face with dark square tears dripping from the
eyes of the face pictured. This pace mainly includes red as red can symbolize
blood for pain- so do the teardrops pictured within the piece, as well.
Ray, Benjamin Caleb. "The Art of
the African Mask." The Art of the
African Mask. Bayly Art Museum, n.d. Web. 5 Aug. 1994. <http://cti.itc.virginia.edu/~bcr/African_Mask.html>.
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